A small collection, made in limited series. Each object is bound to a single principle — volume, gravity, structure, colour, mass, order.
A solid volume of cast concrete, opened at its core. The Cube weighs nearly fifty kilograms, yet its bevelled edge introduces a fragility that the material itself denies — a thin line of tension where mass becomes precise.
Drawn from the concrete architecture of Marcel Breuer — the IBM research centre at La Gaude in particular — it reduces that language to a single domestic form. Each piece is hand-cast in a silicone mould, leaving the surface remarkably smooth to the touch while allowing the small irregularities that make every Cube its own.
A conical pedestal of cast concrete, weighted to hold a room in balance. From its mass rises a connection of solid oak, and above it a circular top — up to 140 centimetres across — finished in high-gloss lacquer.
The contrast is deliberate: raw industrial concrete against the deep, polished lacquer of an antique table. A table built from tension — between weight and refinement, between the workshop and the salon.
Two stacked spheres, upholstered in velvet, carry a solid oak dining table. The softness of the material is in deliberate contrast with the structural logic of the form — a column that gives rather than resists.
A concrete base carries a glass top treated with a transparent coloured coating applied in a gradient — colour that shifts across the surface, from one tone to another, as light moves through it. The table holds colour the way a prism does: not on its surface, but inside it.